| Sample | Section | Audio |
|---|---|---|
| Cello, F2 | 4 | |
| Cello multiphonic (1), F2+C4 | 5.1 | |
| Cello harmonic, C4 | 5.1 | |
| Cello multiphonic (2), Fallowfield | 5.1 | |
| Horn multiphonic, Weber | 5.2 | |
| Powerchord, Metallica | 6.1 | |
| Synth bass, Vitalic, See the Sea (Red) | 6.2 | |
| Oboe multiphonic, Holliger | 6.3 | |
| FM bass, Primaal, ¡Fire! | 6.4 | |
| 808-style bass, Primaal, Silver | 7.1 | |
| Piano multiphonic, Walter | 7.2 | |
| Inharmonic synth, Vitalic, No Fun | 7.3 |
Listening test results are provided on a per-sample basis as Matlab
.mat files. Each file contains a structure named
answers, whose length equals the number of listeners who
participated in the test.
For each listener, the structure contains the following fields:
raw_answer: a cell array describing the pitches reported
by the listener;
frequencies: a numeric array containing the frequencies
(in Hz) corresponding to the reported pitches;
certainties: a numeric array containing the listener’s
certainty ratings for each reported pitch.
Each element of raw_answer is a three-element cell array of
the form {pitch_label, certainty, deviation}, where
pitch_label is a pitch name in scientific notation (e.g.,
B2, F#4), certainty is a scalar
between 0 and 1 indicating the listener’s confidence, and
deviation indicates whether the perceived pitch was judged
to be slightly lower (-1), in tune (0), or
slightly higher (+1) than the piano reference.
For example:
{{'B2' '.5' '1'} {'F#4' '1' '-1'}}
indicates that the listener reported two pitches: B2, with a certainty of 0.5 and perceived as slightly higher than the piano reference, and F#4, with a certainty of 1 and perceived as slightly lower than the piano reference.
The entries in frequencies correspond to the reported pitches converted from MIDI note numbers to frequencies, incorporating the correction specified by the deviation field (+1 → +40 cent, −1 → −40 cent).
| Sample | Section | Data (.mat) |
|---|---|---|
| Cello, F2 | 4 | 4_Cello_F2.mat |
| Cello multiphonic (1), F2+C4 | 5.1 | 5.1_Cello_F2_C4.mat |
| Cello harmonic, C4 | 5.1 | 5.1_Cello_C4.mat |
| Cello multiphonic (2), Fallowfield | 5.1 | 5.1_Fallowfield.mat |
| Horn multiphonic, Weber | 5.2 | 5.2_Weber.mat |
| Powerchord, Metallica | 6.1 | 6.1_Powerchord.mat |
| Synth bass, Vitalic, See the Sea (Red) | 6.2 | 6.2_Seethesea.mat |
| Oboe multiphonic, Holliger | 6.3 | 6.3_Holliger.mat |
| FM bass, Primaal, ¡Fire! | 6.4 | 6.4_Fire.mat |
| 808-style bass, Primaal, Silver | 7.1 | 7.1_Silver.mat |
| Piano multiphonic, Walter | 7.2 | 7.2_Walter.mat |
| Inharmonic synth, Vitalic, No Fun | 7.3 | 7.3_NoFun.mat |
For each sample, the number of perceived pitches is evaluated as follows.
For each listener’s response for a given sample, the certainty values associated with the reported pitches are summed. For example, if a listener reports:
{{'E2' '1' '0'} {'E3' '1' '0'} {'G#3' '.2' '0'} {'E5' '.6' '0'}}
then the number of perceived pitches for that listener is
1 + 1 + 0.2 + 0.6 = 2.8.
The number of perceived pitches for the sample is defined as the mean of these listener-level values across all listeners.
| Listener | Age | Expertise | Listening conditions |
| L1 | 50 | Researcher, MIR and musicology Classical and popular music practice |
Genelec 1031 loudspeakers, at home |
| L2 | 40 | Researcher, generative media Popular and traditional music practice |
Focal Shape 50 loudspeakers + subbass, in a music studio |
| L3 | 30 | Researcher, generative AI for music Popular and traditional music practice |
Focal Shape 50 loudspeakers + subbass, in a music studio |
| L4 | 60 | Researcher, music technology and music Classical music practice |
Bose NC700 headphones |
| L5 | 40 | Researcher, generative AI for music Popular music practice |
Yamaha HS5 loudspeakers, in a workplace office |
| L6 | 40 | Team leader, generative AI for music Classical music practice |
Focal Shape 50 loudspeakers + subbass, in a music studio |
| L7 | 30 | Research engineer, generative AI for music Popular music practice |
Focal Shape 50 loudspeakers + subbass, in a music studio |
| L8 | 30 | Research engineer, generative AI for music Classical and popular music practice |
Focal Shape 50 loudspeakers + subbass, in a music studio |
| L9 | 40 | Professional music performer Classical and traditional music practice |
Genelec 1031 loudspeakers, at home + Sony WH1000XM5 headphones |
| L10 | 50 | Professional activity not related to music Popular and classical music practice |
Sony WH-1000XM6 headphones |