Supplementary material

to the article

“Methods for pitch analysis in contemporary popular music:
multiphonic tones across genres”


Audio used for the listening tests

Sample Section Audio
Cello, F2 4
Cello multiphonic (1), F2+C4 5.1
Cello harmonic, C4 5.1
Cello multiphonic (2), Fallowfield 5.1
Horn multiphonic, Weber 5.2
Powerchord, Metallica 6.1
Synth bass, Vitalic, See the Sea (Red) 6.2
Oboe multiphonic, Holliger 6.3
FM bass, Primaal, ¡Fire! 6.4
808-style bass, Primaal, Silver 7.1
Piano multiphonic, Walter 7.2
Inharmonic synth, Vitalic, No Fun 7.3

Listening test results

Listening test results are provided on a per-sample basis as Matlab .mat files. Each file contains a structure named answers, whose length equals the number of listeners who participated in the test.

For each listener, the structure contains the following fields:

Each element of raw_answer is a three-element cell array of the form {pitch_label, certainty, deviation}, where pitch_label is a pitch name in scientific notation (e.g., B2, F#4), certainty is a scalar between 0 and 1 indicating the listener’s confidence, and deviation indicates whether the perceived pitch was judged to be slightly lower (-1), in tune (0), or slightly higher (+1) than the piano reference.

For example:

{{'B2' '.5' '1'} {'F#4' '1' '-1'}}

indicates that the listener reported two pitches: B2, with a certainty of 0.5 and perceived as slightly higher than the piano reference, and F#4, with a certainty of 1 and perceived as slightly lower than the piano reference.

The entries in frequencies correspond to the reported pitches converted from MIDI note numbers to frequencies, incorporating the correction specified by the deviation field (+1 → +40 cent, −1 → −40 cent).


Sample Section Data (.mat)
Cello, F2 4 4_Cello_F2.mat
Cello multiphonic (1), F2+C4 5.1 5.1_Cello_F2_C4.mat
Cello harmonic, C4 5.1 5.1_Cello_C4.mat
Cello multiphonic (2), Fallowfield 5.1 5.1_Fallowfield.mat
Horn multiphonic, Weber 5.2 5.2_Weber.mat
Powerchord, Metallica 6.1 6.1_Powerchord.mat
Synth bass, Vitalic, See the Sea (Red) 6.2 6.2_Seethesea.mat
Oboe multiphonic, Holliger 6.3 6.3_Holliger.mat
FM bass, Primaal, ¡Fire! 6.4 6.4_Fire.mat
808-style bass, Primaal, Silver 7.1 7.1_Silver.mat
Piano multiphonic, Walter 7.2 7.2_Walter.mat
Inharmonic synth, Vitalic, No Fun 7.3 7.3_NoFun.mat

Evaluation of the number of perceived pitches

For each sample, the number of perceived pitches is evaluated as follows.

For each listener’s response for a given sample, the certainty values associated with the reported pitches are summed. For example, if a listener reports:

{{'E2' '1' '0'} {'E3' '1' '0'} {'G#3' '.2' '0'} {'E5' '.6' '0'}}

then the number of perceived pitches for that listener is 1 + 1 + 0.2 + 0.6 = 2.8.

The number of perceived pitches for the sample is defined as the mean of these listener-level values across all listeners.


Listener profiles and listening conditions

Listener Age Expertise Listening conditions
L1 50 Researcher, MIR and musicology
Classical and popular music practice
Genelec 1031 loudspeakers, at home
L2 40 Researcher, generative media
Popular and traditional music practice
Focal Shape 50 loudspeakers + subbass, in a music studio
L3 30 Researcher, generative AI for music
Popular and traditional music practice
Focal Shape 50 loudspeakers + subbass, in a music studio
L4 60 Researcher, music technology and music
Classical music practice
Bose NC700 headphones
L5 40 Researcher, generative AI for music
Popular music practice
Yamaha HS5 loudspeakers, in a workplace office
L6 40 Team leader, generative AI for music
Classical music practice
Focal Shape 50 loudspeakers + subbass, in a music studio
L7 30 Research engineer, generative AI for music
Popular music practice
Focal Shape 50 loudspeakers + subbass, in a music studio
L8 30 Research engineer, generative AI for music
Classical and popular music practice
Focal Shape 50 loudspeakers + subbass, in a music studio
L9 40 Professional music performer
Classical and traditional music practice
Genelec 1031 loudspeakers, at home + Sony WH1000XM5 headphones
L10 50 Professional activity not related to music
Popular and classical music practice
Sony WH-1000XM6 headphones